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Dreaming Revolution usefully employs current critical theory to address how the European novel of class revolt was transformed into the American novel of imperial expansion. Bradfield shows that early American romantic fiction - including works by William Godwin, Charles Brockden Brown, James Fenimore Cooper, and Edgar Allan Poe - can and should be considered as part of a genre too often limited to the Nineteenth-century European novel. Beginning with Godwin's Caleb Williams, Bradfield describes the ways in which revolution legitimates itself as a means of establishing Political consensus. For European revolutionaries like Godwin or Rousseau, the tyranny of the king must be replaced by the more indisputable authority of human reason. In other words, democratic revolution makes people free to investigate the same truths and arrive at the same democratic conclusions. In the American novel, however, the Enlightenment's idealized pursuit of abstract truth becomes restructured as a pursuit of abstract space. Instead of revealing knowledge, Americans explore further territories, manifest destiny, limitless regions of the yet-to-be-colonized and the still-to-be-known. In a spirited discussion of works by Brown, Cooper and Poe, Bradfield argues that Americans take the class dynamics of the European psychological novel and apply them to the American landscape, reimagining psychological spaces as geographical ones. Class distinctions become refigured in terms of the common people's pursuit of a meaning vaster than themselves - a meaning which leads them to imagine the always expanding body of colonial America. However, since class conflict is never successfully eliminated or forgotten, the memory of class struggle always reemerges in the narrative like a half-repressed dream of politics. In Dreaming Revolution, Bradfield reveals and interprets these dreams, opening these American novels to a richer and more rewarding reading.

American fiction --- Politics and literature --- Literature and society --- Revolutionary literature, American --- Social conflict in literature. --- Romanticism --- Imperialism in literature. --- Political fiction, American --- Deviant behavior in literature. --- Dissenters in literature. --- Imperialism in literature --- Dissenters in literature --- Deviant behavior in literature --- Social conflict in literature --- English --- Languages & Literatures --- American Literature --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- American literature --- American revolutionary literature --- History and criticism. --- History --- European influences. --- History and criticism --- European influences --- Cooper, James Fenimore, --- Poe, Edgar Allan, --- Brown, Charles Brockden, --- Godwin, William, --- Po, Edgar, --- Boy, Ētkar, --- Poe, E. A. --- Poë, Edgard, --- Pui, ʼAggā ʼAyʻlaṅʻ, --- Pō, Eḍgār Ālen, --- Po, Edhar, --- Poe, Edgar Allen, --- Perry, Edgar A., --- По, Эдгар Аллан, --- По, Эдгар, --- פאו, עדגאר עלען --- פאו, עדגאר עלען, --- פא, אדגאר אלאן --- פא, עדגאר --- פא, עדגאר עלען, --- פו, אדגר --- פו, אדגר אלן --- פו, אדגר אלן, --- アランポオ, --- 愛倫坡, --- Po, Ailun, --- Quarles, --- American, --- Author of the Pioneers, --- Author of The spy, --- Cooper, Fenimore, --- Cooper, J. Fenimore --- Honorary member of the U.S. Naval Lyceum, --- Kuper, Džems Fenimor, --- Kuper, Dzheĭms Fenimor, --- Kuper, Fenimor, --- Morgan, Jane, --- Pioneers, Author of the, --- Spy, Author of the, --- Купер, Джеймс Фенимор, --- קפר, פ., --- קופעער, ג'ימס --- קופער, פ., --- קופר, פ. --- קופר, ג׳אמס פנימור, --- Political and social views. --- Cooper, Fenimore --- Cooper, James Fenimore --- Kuper, Džems Fenimor --- Kuper, Dzheĭms Fenimor --- Kuper, Fenimor --- Morgan, Jane --- Pioneers, Author of the --- Spy, Author of the --- Купер, Джеймс Фенимор --- Pau, Aiḍgar Elan, --- پو، ايڈگر ايلن